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Miranda returns to Mexico to uncover her family history and learns that her mother did not abandon her, but that she was kidnapped at birth. Finding her mother in a psychiatric hospital, suffering from the effects of abuse and violence, Miranda decides to work her way into the heart of a criminal organization to uncover the truth about what happened and make sure those responsi...。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。法国乡间少年杀人事件，行凶动机耐人寻味。上世纪初，十七岁的般奴获地主资助，进入修道院刻苦学习，暑假回家期间却犯下凶残血案。跟遇害者似乎无仇无怨，是随机杀人还是另有内情？医科教授调查真相，狱中的般奴写下自白书，忆述成长煎熬，追溯杀人念头从何而来。云信勒波尔首部长片，改编真人真事，以扎实剧本引领观众窥探杀人少年内心世界，透过主角杜雷的丝丝入扣演绎，将尘封的历史档案，变成一趟令人不寒而栗又不禁着迷的旅程。。