任桥梁徐璐

延斯·索林在1985年时谋杀了女友的父母吗？或者是女友自己下的毒手呢？这部纪录片系列将深入这桩谜案的重重疑云。。《Beast Machines: Transformers》第一季讲述了Maximals在他们的家园赛博坦星球上醒来，却发现自己被Megatron创造的无意识Vehicons追捕。Maximals必须解放赛博坦星球，恢复其原本的有机生命形式。在这一季中，Optimus Primal、Rattrap、Cheetor和Blackarachnia等角色经历了重重挑战，逐步掌握了新的身体形态，并与Megatron展开激烈对抗，试图拯救他们的星球。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。