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The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。一名持枪歹徒闯入阿姆斯特丹市中心的一家 Apple Store 零售店，警方试图破解僵局，却面临一个棘手的难题。改编自真人真事。。一宗神秘的非法地下晶片交易大案引起了陆港两地警方的高度注意。为了迅速侦破此案，内地警察吴宗强被派遣香港与香港警察张志成展开合作。一次偶然的机会，张志成利用黑帮悍匪何成龙被抓，乔装成何成龙打入其组织内部，千方百计寻找晶片线索欲引蛇出洞，一举破获晶片交易案。在一次次智斗血拼中何成龙逐步确立了自己在组织中的地位，并深得黑帮老大千金丁妮妮爱慕，处处得宠，这一变化立刻引起了另一成员叶浩忠的妒意。为此，叶浩忠设连环计欲将其置之死地而后快。。