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墨祁安从小沦落掖庭，与小宫女韵枝青梅竹马。奸后计划除掉墨祁安，韵枝拼死救下他，二人却也从此失散。十年后，韵枝被迫入宫选秀，遇到已经登基为帝的墨祁安。墨祁安冥冥中对她产生好感，却因为她此时的身份而对她存有猜忌和厌恶，两人如何再次走到一起。。作家林薇以 “亲密关系中的信任风险” 为灵感创作小说：主角（同名林薇）察觉丈夫、婆婆的异常伪装，靠细节观察、理性应对摆脱危机。结局林薇点明创作初衷 —— 借虚构故事传递 “警惕虚假信任、科学保护自己” 理念，强调情节纯属虚构，倡导理性思维。。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。