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The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。离岛“长短洲”警署，特警组长何劲秋（吴元俊 饰）新官上任三把火，接连破获毒品窝子和赌局等案件，风头正劲。在追踪瘾君子大烟枪（张学友 饰）的途中，何巧遇当年同在九龙当差的队友任千行（万梓良 饰）。时任千行因涉嫌诈骗被驱逐出警察队伍，当发现有利可图时，他有意与何等人接近。 打扮光鲜、出手大方的任千行引起薪水稀薄的小警察们的好奇和羡慕，在得知任从事高利贷生意时，他们纷纷将自己的积蓄拿出。众多警员中，只有吝啬鬼包不平（秦沛 饰）按兵不动，这也让他躲过了任千行设下的金钱陷阱……。音浪滚滚，群魔乱舞的夜店内，目睹男友出轨的艾莲娜（艾玛·费兹帕特里克 Emma Fitzpatrick 饰）无意中掣动某开关，致使寻欢场所顿时化作绞肉地狱，无数男女惨遭屠戮，搜尸者（Randall Archer 饰）静观这一血腥残酷场景，并在最终时刻虏走艾莲娜。混乱之中，饱经磨难的阿金（乔什·斯图沃特 Josh Stewart 饰）侥幸逃脱。正当他待在医院接受治疗时，受某富翁之托的警方找上门来，要求阿金在48小时之内找到艾伦娜。 无论如何，阿金必须再次返回留下无数梦魇的魔窟，时间紧迫，尝试逃亡的艾莲娜时时处在危险之中。而阿金和警察部队也面临搜尸魔布下的致命陷阱。死神的脚步渐次清晰……。