主角在末世养了一堆女人

故事发生在二十世纪八十年代，女演员郁珠（陈数 饰）在剧团之中一直担当台柱，她为人善良率直，倔强洒脱，是剧团中不可缺少的存在。记者王帆杨（翟天临 饰）爱慕着郁珠，无奈两人年龄悬殊巨大，郁珠对他一直敬而远之。最终，王帆杨的真诚打动了郁珠，两人走到了一起。 杜晓红（种丹妮 饰）嫉妒郁珠在戏剧表演上的造诣，亦嫉妒她和王帆杨之间的恋情，在杜晓红的挑拨离间之下，郁珠和王帆杨之间的感情出现了裂痕，最终以分手告终。与此同时，郁珠的有一个私生子的秘密也被昭告天下，昔日的高岭之花瞬间沦为了被人在背后指指戳戳的对象。就在此时，导演李立勋（孙淳 饰）坚定的站到了郁珠的身后，默默的支持和守护着她。。一群中學畢業班學生, 因不滿老師教學方式, 要千方百計氣走他們, 但往往被插班生羅思琦破壞. 來自香港的李麗珍, 初期被受到排擠, 後亦聯起反抗老師. 考試時, 女生作弊, 男生半途離場, 校長因利益關係, 不欲開除他們, 他們的班主任建議將他們留宿學校, 藉此了解及幫助他們. 留宿期間, 他們却學會了互助互勉精神, 明白學業的重要性, 結果期考中各人都取得優異成績. 他們決定離校前組織一同學會, 約定五年後, 各人變成怎樣, 都要回校一叙.。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。