撒哈拉的故事

Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。阳光明媚，风和日丽的日子里，樱花老师焦急等待着迟到的爱人阿燕，结果却碰上了令人头疼的诸星当，这让她大为恼火。而在城市的另一边，阿燕因为睡过头而一团忙乱，结果竟在自己的被窝里发现一个名叫御前崎舞子的妙龄女郎。路过于此的小天将这一切告诉了樱花、阿当和拉姆，引得众人不明所以全部冲向阿燕的住所。经过一番解释众人才得知，原来舞子是一只幽灵，头天晚上偶然被地缚灵缠住，幸亏阿燕出手才得救，而舞子也对阿燕一见钟情，就此对他纠缠不已。这一切都令樱花醋意大发，原定美好的约会被搅得一团糟…… 本片根据高桥留美子的同名漫画改编，是该系列动画的OVA版。。撒哈拉沙漠，1933年。 英国飞行员Bill Lancaster在试图飞越伦敦和开普敦的一趟飞行中迷失在沙漠地带。他的情人，冒险家兼女飞行员Marie Vallières de Beaumont 唯一的念想，就是找到他。 当她飞越Ténéré时，她被迫降落于一个法国骆驼骑兵驿站。上尉Vincent Brosseau 接待了她，但是却拒绝向她施与援手。 因为图阿雷格人的叛乱困扰,阿尔及利亚首都阿尔及尔指挥部不批准救援飞行。面对执着的Marie，空军中尉Antoine Chauvet 试图劝说她放弃，在如此巨大的沙漠里进行绝望的搜寻。但是都是徒劳。 为了继续实施援救计划，Marie决定跟着执行任务的骑兵连一起进入图阿雷格人的领土。在这趟危险重重的任务过程里，中尉Antoine和她慢慢的亲近起来。然后，在这片危机四伏的茫茫戈壁中，等待他们的却是一个谁也无法预料到的真相。 Sahara français, 1933… Bill Lancaster, pilote anglais renommé a disparu dans le désert lors d’une tentative de record de traversée entre Londres et Le Cap. Sa maîtresse, l’aventurière et aviatrice Marie Vallières de Beaumont n’a qu’une obsession : le retrouver.Alors qu’elle survole le Ténéré, la jeune femme est contrainte de poser son biplan près d’un poste avancé de méharistes français. Le capitaine Vincent Brosseau l’accueille, mais refuse de l’aider. Préoccupé par les rebellions touaregs, le commandement d’Alger n’autorise pas l’envoi de secours. Confronté à la détermination de Marie, le lieutenant Antoine Chauvet tente de la dissuader de poursuivre cette quête désespérée dans un lieu aussi grandiose et hostile que le Ténéré. Rien n’y fait. Pour poursuivre ses recherches, elle se joint à une expédition menée par la compagnie méhariste en territoire touareg. Au cours de cette mission à haut risque Antoine, en rupture avec sa hiérarchie, et Marie vont se rapprocher. Dans ce désert qui ne ment pas et dans l’abandon qu’il impose, ils découvriront une vérité à laquelle ils ne s’attendaient pas.。